If an irrepressible impulse toward “somewhere else” was a requirement of Romanticism, then in the early 19th century that impulse had yet to be tainted by the colors of nation or ethnicity. Here lies a source of light, pure and intense, reflecting in myriad ways toward later generations. What did Schubert (1797-1828) propose (Projekt/Entwurf) to us?—With insights from psychoanalysis, care theory, and feminism, we wish to examine this question. Lecturer HORI Tomohei Music Advisor at Sumitomo Life Izumi Hall; Part-time Lecturer at Kyushu University and other institutions. Completed doctoral studies at the University of Tokyo Graduate School (Doctor of Literature). Pursues “soft,” cross-disciplinary music scholarship that engages with other fields. …

Design has the perspective of treating things as a “system” functioning rationally, scalable, and replaceable. However, the social movement in Minamata, for example, is also a human resistance against systemic design. By nature, design creates alternative realities and results in the transformation of the creators of those realities. Is it possible to overcome the social distortions that design has been involved in through the power of design?Translated with DeepL.com (free version) Lecturer Tomohide MIZUUCHI（Associate professor, Kyoto Institute of Technology, Center for the Possible Futures） Design researcher, project director, and associate professor at Kyoto Institute of Technology’s Center for the Possible Future .He is engaged in research to rethink the nature …

The primordial field is a ground where different things are undifferentiated. It is a place to rethink the relationship between people, the plastic arts, and the environment, just before the separation of art, design, architecture, and civil engineering. It’s also a place to consider how the plastic arts can be brought back into the larger biogeochemical cycle. Through concrete practices with ‘fresh soil’ and the insights gained from these practices rather than theory, the project presents the potential relationship between material and form, technique and place, and the possibility of renewing theconcepts of artwork and creation toward post-human art and life at the end of advancing inequality, conflict and climate …